Baseball: The Greatest Game

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1921. “Old Timers base ball team, Cleveland Ohio’s 125th Anniversary, Dunn Field…” Photograph by Flowers, F. A.
21 Historic Photographs of Baseball: The Greatest Game

Since its inception in the 18th century, baseball has been an incredibly popular sport. Its stars have been revered, hated and loved by the media. In Japan, Puerto Rico and the United States in particular, baseball is inseparable from popular culture. Babe Ruth said “Baseball was, is and always will be to me the best game in the world.” Vintage Photographs on Photistoric.

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1910. “Mathewson of N.Y. Nat.” Photography by Paul Thompson.

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1939. “Anacostia High School, [Washington, D.C.], 1939, baseball team.” Unknown Photographer.

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1911. ” Edward Walsh, Chicago Americans.” Photograph by Paul Thompson.

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1908. “Cy Young, Boston AL, full-length portrait, standing, facing right, throwing baseball.” Unknown photographer.

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1911. “Davis, Phila. Am.” Photograph by Paul Thompson.

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1910. “Tinker of Chic. Nat.” Photograph by Paul Thompson.

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1911. “Huge crowd of baseball fans watching baseball scoreboard during World Series game in New York City.” Unknown Photographer.

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1911. “Grant, Phila. Nat.” Photograph by Paul Thompson.

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1914. “Boston rooters at Shibe Park, Philadelphia.” Unknown Photographer.”

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1911.”Magee, Phila. Nat.” Photograph by Paul Thompson.

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1914. “Shibe Park, Philadelphia.” Photograph by Bain News Service.

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1925. “Early fans at game, 10/10/25.” Unknown Photographer.

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1913. “1st base grandstand at Shibe Park, Philadelphia, 1913 World Series.” Photograph by Bain News Service.

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1925. “Early fans at game, 10/11/25.” Unknown Photographer.

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1910. “Lake of Bos. Nat.” Photograph by Paul Thompson.

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1911. “George Kahler, Cleveland AL, at Hilltop Park, NY.” Photograph by Bain News Service.

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1913. “Harry Lord, Chicago AL.” Photograph by Harris & Ewing.

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1908. “The Ball Team. Composed mainly of glass workers. Indiana. Aug. 1908. L.W.H.” Photograph by Lewis Wickes Hine.

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1910. Oakes, St. Louis Nationals. Photograph by Paul Thompson.

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1919. “Babe Ruth, 1919.” Unknown Photographer.

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The Migrant

"Ex-tenant farmer on relief grant in the Imperial Valley, California." Photograph by Dorothea Lange.
“Ex-tenant farmer on relief grant in the Imperial Valley, California.” Photograph by Dorothea Lange.
23 Photographs from the Dust Bowl
More than 5,000 people died from the heatwave of 1936. It was the hottest summer on record. Those crops that hadn’t withered in the first half of the decade now failed. People collapsed from exhaustion in their homes. The summer of 1936 marked the most desperate point of a four year drought and a decade long economic depression that displaced 2.5 million people. This time came to be known as the Dust Bowl.
Unseasonable heavy rain in the years preceding 1930 convinced farmers that aggressive ploughing was acceptable, when in reality a very thin topsoil was only protected by a thin layer of grass. When precipitation did not materialize, the exposed soil quickly dried. High winds, which were not uncommon, were now able to pick up millions of pounds of dried soil and blow it in huge rolling black clouds. Towns were abandoned. The largest exodus of Americans occurred in the 1930’s as a result of this agricultural disaster. Poor and hungry, whole families traveled west for work.
The high-resolution photographs of migrant workers in this series show the men, women and children who lived during this troubled time. Among others, Dororthea Lange was hired by the Farm Security Administration to document the Dust Bowl. During this time, she created some of her most iconic images.
Out of a collection of thousands of photographs from the Library of Congress, the following portraits have been chosen for their emotion and technical quality.

Curated historic photography on Photistoric.

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1940. “Group of Florida migrants on their way to Cranberry, New Jersey, to pick potatoes. Near Shawboro, North Carolina.” Photograph by Jack Delano.
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1939. “Nebraska farmer come to pick peas. Near Calipatria, California.” Photograph by Dorothea Lange.
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1936. “Drought refguees from Oklahoma camping by the roadside. They hope to work in the cotton fields. The official at the border (California-Arizona) inspection service said that on this day, August 17, 1936, twenty-three car loads and truck loads of migrant families out of the drought counties of Oklahoma and Arkansas had passed throught that station entering California up to 3 o’clock in the afternoon.” Photo by Dorothea Lange.
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1936. “Occupants–one more home on wheels. California.” Photograph by Dorothea Lange.
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1939. “Arkansas girl in migrant camp near Greenfield, Salinas Valley, California. This is an Arkansawyers auto camp, filled almost completely with Arkansawyers recently in California. Rent ten dollars per month for one room, iron bed, electric light.” Photograph by Dorthea Lange.
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1939. “Grandmother of twenty-two children living in Kern County migrant camp. California.” Photograph by Dorothea Lange.
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1936. “Drought refugee from Polk, Missouri. Awaiting the opening of orange picking season at Porterville, California.” Photograph by Dorothea Lange.
1937. "A mother in California who with her husband and her two children will be returned to Oklahoma by the Relief Administration." This family had lost a two-year-old baby during the winter as a result of exposure. Photograph by Dorothea Lange.
1937. “A mother in California who with her husband and her two children will be returned to Oklahoma by the Relief Administration.” This family had lost a two-year-old baby during the winter as a result of exposure. Photograph by Dorothea Lange.
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1938. “Wife of a migratory laborer with three children. Near Childress, Texas. Nettie Featherston.” Photograph by Dororthea Lange.
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1939. “In a carrot pullers’ camp near Holtville, Imperial Valley, California. Woman from Broken Row, Oklahoma.” Photograph by Dorothea Lange.
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1939. “A migrant laborer waiting for work in one of the packing houses near Canal Point, Florida.” Photograph by Marion Post Wolcott.
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1940. “Migrant child, Berrien County, Michigan.” Photograph by John Vachon.
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1937. “Part of the family of a migrant fruit worker from Tennessee, camped near the packinghouse in Winter Haven, Florida.” Photograph by Arthur Rothstein.
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1938. “Migrant worker resting along roadside, Hancock County, Mississippi.” Photograph by Russell Lee.
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1939. “Child of migrant worker sitting on bed in tent home of cotton picking sacks, Harlingen, Texas.” Photograph by Russell Lee.
Daughter of migrant in doorway of trailer, Sebastin, Texas." Photograph by Russell Lee.
Daughter of migrant in doorway of trailer, Sebastin, Texas.” Photograph by Russell Lee.
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1937. “A migrant worker from Oklahoma. Deerfield, Florida.” Photograph by Arthur Rothstein.
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1936. “This man is a labor contractor in the pea fields of California. ‘One-Eye’ Charlie gives his views. ‘I’m making my living off of these people (migrant laborers) so I know the conditions.’ San Luis Obispo County, California.” Photograph by Dorothea Lange.
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1936. “Migrant agricultural worker’s family. Seven hungry children. Mother aged thirty-two. Father is native Californian. Nipomo, California.” Photograph by Dorothea Lange.
"Migrant shed worker. Northeast Florida." Photograph by Dorothea Lange.
“Migrant shed worker. Northeast Florida.” Photograph by Dorothea Lange.
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1936. “Migrant shed worker. Northeast Florida.” Photograph by Dorothea Lange.
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1936. “Eighty year old woman living in squatters’ camp on the outskirts of Bakersfield, California. ‘If you lose your pluck you lose the most there is in you – all you’ve got to live with.'” Photograph by Dorothea Lange.

How to Remove Dust in Adobe Photoshop

Dust Removal Tutorial with Adobe Photoshop CS6. 1936. Taxicab driver along riverfront. Saint Louis, Missouri. Photograph by Arthur Rothseinin.
Final Image. Dust Removal Tutorial with Adobe Photoshop CS6.
1936. Taxicab driver along riverfront. Saint Louis, Missouri. Photograph by Arthur Rothseinin.
It’s often impossible to remove all the dust from family photos, lenses, historic images or negatives before scanning or taking the picture. Luckily, Adobe Photoshop has the post-processing tools to clean any image. This photography tutorial will explore the use of the Clone Stamp Tool and its options to effectively remove dust and scratches from any image without decreasing its quality.

Curated historic photography on Photistoric.

Step 1: Load the Image

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Load the file into Photoshop.
Step 2: Clone Stamp Tool

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In the Tools Panel select the Clone Stamp Tool.
Step 3: Clone Stamp Tool Options

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The settings for the Clone Stamp tool can be found in the upper left corner of the window in the Options Panel. Set the hardness to 0% and the size to a diameter that will just fit around the dust specs. Alternatively, the stamp size can be made bigger with the close bracket ] key and smaller with the open bracket [ key.
Step 4: Clone Tool Sampling
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First, Identify areas of dust. To begin using the Clone Stamp Tool, sample a dust-free area by holding alt and left-clicking. Crosshairs will appear while holding alt. The Clone Stamp Tool works by duplicating a circular area and blurring the edges. When removing dust, the tool essentially just pastes a small part of the picture without the dust, over the area with the dust. For the best results, sample from a dust-free area very close to the area that needs to be repaired without overlapping it. You will want to match the tone and gradient if possible. You can continue to clone other dust specs from the same sample area, but it is recommended that you sample in different areas so that obvious visual repetition does not occur.
Step 6: Covering Hairs

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For strings of dust or hair, sample above or below with the Clone Stamp Tool, then click and drag across the dust string.
Alternative Methods of Removing Dust
There are other methods of dust and scratch removal in Adobe Photoshop. Many of them apply a blanket filter that softens the image, and wipes away film grain and other details along with the dust and scratches. These filter methods can be further refined for minimal damage to the non-dusty areas, but the Clone Stamp Tool method outlined in this tutorial will ensure a localized treatment that maintains the integrity of the image.
Conclusion
Once the basics of the Clone Stamp tool are understood, removing dust from photographs is simple. Continue using the clone stamp tool to remove as much dust as desired. Use the same process for dirt, blemishes or other imperfections and impurities. This method can be time consuming, and exhaustively removing every speck can be nearly impossible. A little dust here and there, in the opinion of Photistoric, will not take away from the quality and emotion of an image.

For other dust removal methods or questions, please post on the Film & Negative topic of the Photistoric Forum. Requests and suggestions are encouraged for future tutorial topics and should be submitted to the Requests topic.

Internment at Manzanar

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1943. “Tom Kobayashi, landscape, south fields, Manzanar Relocation Center.” Photograph by Ansel Adams
16 Ansel Adams’ Photographs of the Shameful Internment of Japanese-Americans during WWII.

On February 19th, 1942, President Roosevelt signed Executive Order 9066. This order led to forced internment of 110,000 Japenese-Americans and Americans of Japanese descent following the bombing of Pearl Harbor by the Empire of Japan on December 7th, 1942. 80,000 of those interned were born in the United States and held United States citizenship. A report by the Carter Administration in 1983 acknowledged that the internment was “race prejudice, war hysteria, and a failure of political leadership.” Fuelled by outrage at the Pearl Harbor attacks and media neurosis, public sentiment favored the internment. Henry McLemore, a columnist during the time wrote:

“I am for immediate removal of every Japanese on the West Coast to a point deep in the interior. I don’t mean a nice part of the interior either. Herd ’em up, pack ’em off and give ’em the inside room in the badlands. Let ’em be pinched, hurt, hungry and dead up against it …”

In 1943, the American photographer Ansel Adams traveled to the Manzanar Relocation Center. According the National Park Service, the Manzanar camp had a “peak [population] of 10,046 in September 1942. When gifting the photographs to the Library of Congress Adams wrote:

“All in all, I think this Manzanar Collection is an important historical document, and I trust it can be put to good use…The purpose of my work was to show how these people, suffering under a great injustice, and loss of property, businesses and professions, had overcome the sense of defeat and despair by building for themselves a vital community in an arid (but magnificent) environment.”

Vintage Photographs on Photistoric.

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1943. “C.T. Hibino, artist, Manzanar Relocation Center.” Photograph by Ansel Adams

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1943.”Manzanar street scene, winter, Manzanar Relocation Center.” Photograph by Ansel Adams.

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1943. “Line crew at work in Manzanar.” Photograph by Ansel Adams.

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1943. “Kay Kageyama.” Photograph by Ansel Adams.

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1943. “High school recess period, Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Mrs. Kay Kageyama.” Photograph by Ansel Adams.

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1943. “Farm, farm workers, Mt. Williamson in background, Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Entrance, Catholic chapel (V), Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Loading bus, leaving Manzanar for relocation, Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Birds on wire, evening, Manzanar Relocation Center.” Photograph by Ansel Adams.

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1943. “Benji Iguchi driving tractor, Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Miss Tetsuko Murakami.” Photograph by Ansel Adams.

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1943. “Sam Bozono (Policeman).” Photograph by Ansel Adams.

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1943. “Cattle in south farm, Manzanar Relocation Center, California.” Photograph by Ansel Adams.

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1943. “Roy Takeno reading paper in front of office.” Photograph by Ansel Adams.